"Michael Meilahn's work has a figure suggestive of the film Eraser Head. It gives the eerie feeling of an enormous fetus clinging to an architectonic form."

-Michael Taylor, Juror for the New Glass Review 21

"But it is relative latecomers like Michael Meilahn of Pickett who give the show its pizzazz. Meilahn, a farmer/artist, works ears of corn into an enormous construction that combines wood and clippings from magazines with the fragility and brilliancy of glass."

-James Auer, Art Critic, Milwaukee Journal Sentinel, Entertainment & Arts
American Studio Glass, Fairfield Art Museum, August 13, 2003
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